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Having said that, using a very small texture for an object that occupies a big portion of the screen would make the texture look pixelated. Every vertex that needs to be mapped with this texture lies somewhere on this texture and has a U and a V value. Since the coordinates are from 0 to 1 the resolution of the texture does not matter for the texture mapping the U and V value does not change. We can think of U being the axis along the width of the texture and V being the axis along the height of the texture. UV coordinates are a special co-ordinate system which generally run from 0 to 1. I will just go into the basics of UVs here. I will make a different series for the basics of things like vertices, UVs etc explaining how those work. The explanation for the UV mapping is out of scope for this post. That is it for shader set-up, in the next section we will create the vertex buffer with the UV coords for vertices and hook this up to the shader. In the shader function we just sample the texture based on the UV coords and output the color value. The rest is simple we have the incoming texture co-ordinates from the vertex shader since this is Varying the pixels between vertices will have interpolated UV coords. We will also be setting the rules to this sampler for picking the color values. That is the declaration of the texture sampler to which we will be binding the texture from the program. The first line in the fragment shader is the important one. Gl_FragColor = texture2D(mytexture, f_texcoord) if the vertices of a primitive have different values, they are interpolated! incoming values from the vertex shader stage. So in the vertex shader function we add the following line. We just pass on the incoming UV coords to the fragment shader as is. Since we dont need to manipulate the UVs in the vertex shader in any way. UV coords to send to the fragment shader We add the declaration of these variables to our vertex shader. Since we will be using the UV coords to sample our texture in the fragment shader we will need a Varying variable. Modify the Shader for Texture Mappingįor the vertex shader to receive the UV co-ordinates for the vertices we need to declare an attribute which can be hooked to the buffer from the program. Now that we have the image loaded up and set up as a OpenGL texture we will now modify the shader to receive and use this texture. GlTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_WRAP_T, GL_CLAMP_TO_EDGE) GlTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_WRAP_S, GL_CLAMP_TO_EDGE) GlTexParameteri(GL_TEXTURE_2D,GL_TEXTURE_MAG_FILTER,GL_LINEAR) GlTexParameteri(GL_TEXTURE_2D,GL_TEXTURE_MIN_FILTER,GL_LINEAR) Texture = settings are required to have non power of two textures loading ************Loading the Texture and configuring its settings*****/ Add these lines to the top of the function: In the GameMain class’s Initialize() function we call this function and assign the returned texture handler to the variable that we declared in the header. We then return the handle to this OpenGL texture resource. Once we have the sprite data which is essentially an array of colors pixel by pixel in the texture, we create an OpenGL texture and bind this data to it. We first load up the image and then read its data. This function is pretty straight-forward. GlTexImage2D(GL_TEXTURE_2D, 0, GL_RGBA, width, height, 0, GL_RGBA, GL_UNSIGNED_BYTE, spriteData) GlTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_MIN_FILTER, GL_LINEAR) GLubyte * spriteData = (GLubyte *) calloc(width*height*4, sizeof(GLubyte)) ĬGContextRef spriteContext = CGBitmapContextCreate(spriteData, width, height, 8, width*4,ĬGImageGetColorSpace(spriteImage), kCGImageAlphaPremultipliedLast) ĬGContextDrawImage(spriteContext, CGRectMake(0, 0, width, height), spriteImage) Size_t height = CGImageGetHeight(spriteImage) Size_t width = CGImageGetWidth(spriteImage) If (!spriteImage) to load image filename) GLuint GameMain::setupTexture(NSString *filename)ĬGImageRef spriteImage =. Here is the setupTexture function that needs to go into the GameMain.mm class. For these we add the following lines to the GameMain.h header file. We also need a Variable to hold the handle to our texture. This function will receive the name of the texture to be loaded and set-up and return the handle to the texture. We first start off by writing a function called setupTexture. Make sure that this file is added to the target so we can load it up. Jon Hopkins - As The Light Falls (Sunn Jellie beauty outro mashup)ĥ.Iridium & Blake Reary - Hanging On (El gambrero remix)Ħ.Dimension pres. The Skazka team of producer Slava Busygin & designer/ sound recordist Tatiana Borisova compliment their melodies & beats with natural found sounds recorded on their travels around the world.Ģ.Alex van Deep - Life is a Dream (Ambient Intro Mix)Ĥ.Bent vs. Skazka send the listener to other worlds, full of mystery and unknown. In contrast to the aggressive sounds of Wavefall, the chilled out Skazka project displays the influence of The Orb & Banco De Gaia to name but a few. Skazka - FairyTale (Debut Album)įairytale is the album from Skazka, born as a side project of Moscow based EBM outfit "Wavefall". Cathy Battistessa - Miracle Man (Afterlife Remix)ġ1.Abstract Vision & Elite Electronic - Time (Chillout Mix)įirmament pres. If you are interested in the mix tracklist please contact the author mixes.Ībove the Clouds Anniversary mixed by Firmamemt ()ĥ.Passenger 10 - A Desert Night (Original Mix)Ħ.Dinka - Smile When You re Hurt The Most (Original Mix)ĩ.Saphire & Weimar - Ave Maria (Chillout Mix)ġ0.Dinka - Hotel Summerville (Original Mix)ġ1.Melodic Brothers - Being Able To Live (Original Mix)ġ3.Olafur Arlands - Hau Hafa Sloppi Undan Hunga MyrkursinsĢ.Sysyphe - Handfasting (Magic Wedding Remix)ģ.Melodic Brothers - Duality (Original Mix) (Exclusive Track)Ĥ.Arksun - Arisen (Torsion system chillout bootleg)Ĩ.Blank & Jones Ft. We Are The Humans (Special For Above The Clouds Anniversary) Vidna Obmana - Landscape in obscurityĪdrien Aubrun Guest Mix for Above the Clouds Anniversary Episodeġ.Forerunners - Dragonfly (Adrien Aubrun Ambient Mix)ģ.Nick O'Sean - Sureness (Adrien Aubrun Chillout Mix)ĥ.Adrien Aubrun & Francois Dennig - Remembrance (Chillout Version)ĩ.Akira Yamaoka - Not Tomorrow (Adrien Aubrun 2010 remastered remix version) Solar Fields - Air Song (8 am version)ġ1. An increased pool of max Health and Shields (200 Health/200 Shields).The wielder of the sword is also granted additional abilities:.Upon landing, it delivers damage and a knock-up to nearby players (25 damage). Alternate Fire allows the player to leap great distances, destroying objects in its path.It deals big damage to enemies and destroys structures in one blow (75 damage to players). Primary Fire delivers a powerful sword slash.This Mythic melee weapon can be found on Polar Peak.As of Patch v8.20, the weapon made its debut to Creative, making this the first true melee weapon (yet again) and the first and only mythic item to ever be placed in Creative. Though it was vaulted on December 14, 2018, it made a brief reappearance in the Sword Fight gamemode. On the elimination feed, it will come up as (Player 1)’s Infinity Blade erased (Player 2). It was found at Polar Peak and only one Infinity Blade is available per match. The Infinity Blade will be dropped when the wielder is knocked out or eliminated. When the wielder of the Infinity Blade picks up an item (aside from building materials), the Infinity Blade will be dropped. If a player picks up the Infinity Blade, all other inventory items including building materials will be dropped. The first player to pull the Infinity Blade from its pedestal will be instantly healed to full Health and Shields. An instant burst of effective Health upon elimination of an enemy (50 HP).Regeneration of effective Health over time up to max Health and Shields (1 HP per second).An increased/decreased pool of max Health and Shields (200 Health/200 Shields).The wielder of the sword is also granted the following additional abilities: The only weakness to the wielder is that they cannot build any structures as of late Season 7. Upon landing, it delivers damage and a knock-up to nearby players with 25 damage. It also allows players to leap great distances, destroying objects in its path. Some things like the metal containers and corrupted rocks cannot be destroyed in one shot. It delivers a powerful sword slash and deals 75 damage to enemies and destroys opponent structures and environmental walls, floors and trees in one hit. The Infinity Blade is a Melee Weapon in Battle Royale available only in Mythic variant. This item has been made unavailable in order to adjust the game balance. He’s got the highest attack whilst intentionally handicapping himself.This article discusses content that has been put in the Vault. Cuz he’s just so damn skilful and he don’t need no boost. Not to mention Ryth uses a weapon that is greatly enhanced with an elemental gem. Cuz the only alignment he has is his devotion to the glory of battle. Ryth doesn’t even bother mentioning the Worker in his dialogue with Siris even though the world was gonna end. My man drops out of the platform leading to Galath’s throne room. Or I will take from them what they hold most dear - their eternal life.” And for the most part he was right, many Deathless started licking his feet out of fear. He said: “Those who remain will follow me. The Deathless literally make a Pact to guard this place so he can never escape and Ryth just wants to chop the dude up for fun, not to stop Siris from destroying the world.Īnd even when Galath was released. A nameless psycho is trying to release the Workee of Secrets? Someone from the era of Ausar the Vile and who knows how to permanently kill a deathless? Nah, doesn’t matter. Plus this guy just doesn’t give even the slightest shit. You gotta remember these guys aren’t out of reach for Ryth. Indirectly DISSING Raidriar, the Collector and all the high lords of the Deathless houses such as Thane and Lelindre. Motherfucker literally said that he hasn’t found a worthy opponent in centuries. To safely remove the saved DLL file without damaging the Windows registry, you need to type regsvr32 u filename.dll within the command prompt window.
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Emails often get deleted without so much as being opened, regardless of how cheeky the subject line is. The answer, as you probably know, is that we can’t and we don’t. How do we all stay on top of this? Footwear startup M.Gemi sends mail to new and existing customers. Our inboxes are overflowing with newsletters, real letters, ride-sharing receipts, lunch-sharing receipts, bills, fake bills, breaking news notifications, not-so-breaking news notifications, brand promotions, sales promotions, social media alerts, spam, and porn. They’d do giveaways and, if existing customers handed over their family and friends’ email addresses, they’d offer discounts too.įast forward 10 years and the virtual mailbox today looks a whole lot like our parents’ IRL mailboxes back then: A total shit show. A decade ago, companies looking to reach customers would often buy email addresses from third parties. The rise of young, digital brands spending money to mail us stuff speaks to the cyclical progress of shopping trends. Why do these disruptive, online-first companies want to be our old school pen pals? Extra points if you buy something using the accompanying discount code found on all their mailings ($50 off of a mattress with the code MATTRESS50 $5 off at Glossier with the code Stamp!). But maybe you’ve done exactly what these companies want you to do, which is to go to their site. Perhaps you’ve tossed these mailers into the trash and moved on to your meal delivery kit. Electric toothbrush startup Quip targets new customers via mailers. If you’re a woman in the same age range, you’ve probably been mailed a millennial pink pamphlet from no-makeup makeup brand Glossier. If you’re in your 20s or 30s and live in an urban city, you probably have gotten, for example, a glossy, blue booklet from mattress brand Casper inviting you to check out its latest products. Yet over the last few years, brands - including hot, digitally savvy, direct-to-consumer ones like Casper, Harry’s, Wayfair, Rover, Quip, Away, Handy, and Modcloth - have taken to targeting customers in the mail. Print magazines are fading, more and more bills are paid online, and many brands have scaled back on printed catalogues, preferring to funnel resources into website upkeep and social media instead. The Philadelphia North American stated: "The markets will no longer be dependent upon snail paced mails".The idea of having a mailbox full of actual mail seems outdated. Similar terminology was used in the 1840s to contrast the already-operating postal mail with the new telegraph. In some countries, services are available to print and deliver emails to those unable to receive email, like people with no computers or internet access. Some online groups also use paper mail through regular gift or craft hot topics. Snail mail penpals are those penpals that communicate with one another through the postal system, rather than on the internet which has become the more common medium. Snail mail is also a term used in reference to penpalling. This happened not too long ago, between the 1970s to 1990s. An earlier term of the same type is surface mail, coined retrospectively after the development of airmail. It is also known, more neutrally, as paper mail, postal mail, land mail, or simply mail or post. The phrase refers to the lag-time between dispatch of a letter and its receipt, versus the virtually instantaneous dispatch and delivery of its electronic equivalent, e-mail. Snail mail or smail -named after the snail with its slow speed-refers to letters and missives carried by conventional postal delivery services. Freebase (5.00 / 1 vote) Rate this definition: To transcend fear and anger, we must recognize them as objects of the mind and watch them from a seat of consciousness. Singer advises we treat this anxiety like a splinter and focus on removing it. It is unwise to let a splinter fester and continue to cause pain. Like a splinter, it is only an object causing pain. Singer reminds us that this fear and anxiety do not define us. We evolved to feel fear and anxiety deeply to survive in a different world, but it does not have to be so consuming. Singer states that when we come across a difficult moment in our life, say a moment of great anxiety or fear, it is easy to get caught up in this feeling. Pull back and take everything in without judgment. Observe and be present and let go of the tendency to equate descriptions with the truth. Instead, open yourself up to the world without interpreting. Singer argues that you shouldn’t let your inner voice selectively create a version of reality that you subscribe to. It remains open to many possibilities at once. These labels can function as a cage, making our conceptions of ourselves static and dishonest.Ĭonsciousness, on the other hand, by merely observing and not labeling, can take everything in without clinging to any particular description. This method of labeling can be used as a way for the mind to avoid truths that threaten our idea of who we are. These interpretations are not necessarily true and paint a limited picture of how things are.įor example, when we describe ourselves as hard-working and smart, this does not capture the millions of other traits we exhibit. These terms are made up of descriptions we’re used to hearing. When we think of things in our internal voice, whether it be another person, a situation that happened to us, or about our identities we describe it in terms. Rather than seeing reality for the expansiveness that it is, it becomes a series of labels and interpretations. “Inner Speech” creates a limited picture of reality. The real self is this consciousness, and the thoughts are just objects of this consciousness.īy becoming aware of these thoughts as separate from your true self, you can prevent yourself from getting caught up in them and reacting in damaging ways. Singer asks the reader to become aware of thoughts as separate from the “conscious” or the part of the self that can be aware of the thoughts. On the other hand, if a person thinks a kind thought, this does not necessarily make them a kind person. For example, if a person thinks about doing something immoral, it does not make them an immoral person. Singer points out that these thoughts can often be confused with the true self. These thoughts form unspoken words and sentences that interpret the world around us. Recognize your thoughts as separate from your true self.Įveryone has a voice in their head. Your thoughts are persistent but don't define you. By cultivating awareness of this difference, and getting in touch with their true self, a person can free themselves from unnecessary stressors and negativity and instead appreciate the full potential of their life. The author argues that the path to inner peace involves distinguishing between the perceived self and the true self. This book considers the path towards spiritual enlightenment and a happier, healthier, and calmer life. Free Book Summary - The Untethered Soul by Michael A. |
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